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Guernsey Literary Festival

Sponsored by

Specsavers

Supported by

Guernsey Arts

2019 Winners

Maura Dooley

Judge’s notes

Open Poetry

  1. 1st

    Passing It On - Sharon Black

    Read poem
  2. 2nd

    Jacob - Chris Hardy

    Read poem
  3. 3rd

    When I found some women with bellies - Holly Hopkins

    Read poem

Channel Islands’ Poetry

  1. 2nd

    letting go - Juliette Hart

    Read poem
  2. 2nd

    Small worlds - Judy Mantle

    Read poem
  3. 3rd

    Technical advance - Susie Gallienne

    Read poem

Young People’s Poetry

  1. 1st

    Reflections - E Wen Wong

    Read poem
  2. 2nd

    Travels Across Time - E Wen Wong

    Read poem

Poems on the Buses Exhibition

  1. Bus

    1960 - Valerie Darville

    Read poem
  2. Bus

    Barn - Ian Enters

    Read poem
  3. Bus

    Blackberries - Richard Westcott

    Read poem
  4. Bus

    Bull Male, Sleeping - Abigail Ottley

    Read poem
  5. Bus

    Cemetery, with Children - Susan Wicks

    Read poem
  6. Bus

    Dreamtime - Christina Buckton

    Read poem
  7. Bus

    Every time I came home - Alison Binney

    Read poem
  8. Bus

    Listen - Peter Wallis

    Read poem
  9. Bus

    Shipwrecked - David Smith

    Read poem
  10. Bus

    Still - Jane Pearn

    Read poem
  11. Bus

    Storm in a teacup - Alison Binney

    Read poem
  12. Bus

    Table, window - Simon Richey

    Read poem
  13. Bus

    The gun was one thing - Carole Bromley

    Read poem

Judge’s notes

It has been such a pleasure to read the rich and varied poems in this competition, like being given an up-to-the-minute anthology of contemporary poetry. As a reader I could dive into a mere 10 or 12 lines on a page and come up again for air feeling quite changed. That is the power of poetry.

This competition is unusual, perhaps unique, in asking for poems of a maximum of 14 lines. It made me reflect on the great skill needed to make something memorable in so few lines. There is no room for harrumphing or wittering on. These poets caught my attention in a turn of phrase, a startling image, or a sharp observation.

Often moving, sometimes funny, clever, wise and always generally engaging, these poems considered the world in which we live but usually viewed the political through the personal. I read of joy and of loss, of ageing and of new life beginning, some fine, detailed descriptions of landscape, some wry character studies and many good poems which defied easy categorisation.

That simple fact made it so difficult to boil down the number of very good poems to a shortlist and then further to find a ‘top’ three and commended. Some of the poems which I know I will long remember haven’t made it to the final list because the form was stronger than the content perhaps, or the content stronger than the form. I have chosen poems where there is a well-oiled machine of voice, mood and form, where the poem wants to tell me, the reader, more each time I go back to it.

The competition allows a maximum line length of 14, the length of a sonnet, it is surprising perhaps that so few sonnets seemed to come in. Most poets chose free verse but it was good too to hear from those who enjoy rhyme. I was pleased to read voices which clearly came from all walks of life, all ages and - I’d guess – several different countries. Overall, the work I read was of high quality and diverse subject matter –this made judging the competition extremely difficult but so enjoyable and deeply rewarding. Thank you!

Maura Dooley